I took this photo with my Canon T1i using a 55 - 250 mm lens . I notice the reflections on the car and thought it would make a really courteous picture . I set up my tripod and took 3 pictures , one at high picture , normal exposure , and down pic . I then run up them together in Photoshop using the HDR feature . I played around with the mise en scene until I get something that really stand out . I also edit out the license collection plate number . I cerebrate the combination of lighting , surround objects , and the curves of the car made for a really cool flick . The car in the photograph is an Audi A6 .
-Thomas Levine
Equipment : iPhone 4S

Technique : Hey my rental elevator car is dumbfound in the heart of the desert . permit me take a picture of it .
Post product : I play around with a few apps and terminate up like the lean - shift force in the Snapseed app the best . It seemed to bring the fomite into the spot light and made the rest of the picture a fuzz . Which was exactly how I was feeling at the fourth dimension .
Story : As I was drive to Phoenix Arizona to capture my flight of stairs back home to Michigan I saw a sign for the Kofa National Wildlife Reserve . I had some extra time to belt down so I decided to take a quick roundabout way . A few miles down the road there was an information surface area . I got out , conduct a few pictures , and checked out the information instrument panel . There was a mapping . It looked like I could take a few of these roads and terminate up 20 miles down the highway that I had just been on . I would have to take a few trails that say “ four wheel effort recommend ” but my rental cable car had four wheel drive so I was sound to go . It manoeuvre down the route and went on the lead . It was beautiful and I was have a great time . The trail got a little rougher but it was n’t anything I could n’t treat . Then I bring cleave . I try giving it more gas but I was just fume the tires . I was afraid of blowing a tire so I got out , measure the situation , and engage this picture . I have a small air out of the tires to get more traction . Crap ! That did n’t work . I could permit some more out but then I would loose ground headway . I have n’t had cell response in a while so I ca n’t call for help . What am I going to do ? I have a bottleful of urine and a granola measure . My running shoes are in my grip . possibly I should go take to the woods for help . But it ’s 100 degree and I could get dehydrated tight . I have to get unstuck . I at long last grabbed some rock and jam them under the wheels . It turn ! I was go again ! After a few more stressful hours of off - roading I finally made it back to the main road and I was on my way to Phoenix again .

-David Hullinger
Camera : Sony SLT - A65V
Lens : Tamron SP 17 - 50 millimetre F/2.8

F:16 for 1/30 , ISO 100 at 35 mm
I take this over the weekend at the PCA Potomac club slipstream at Summit Point . I was wandering through the paddock when I came upon this 1970 ’s 911S partially hidden by a railcar carrier . The car is perfect in every way in my eyes . The owner was in the trailer working on their race car , and they were gracious enough to let me spend 15 minutes drooling over their “ redundant ” car .
I took the exposure using the Sony build in HDR mode , which brought out the lighter playing on the rearward fourth ’s shoulder joint blood line . I then brought the pic into Photoshop and sharpened it , just a little , trying not to go too far and mislay some of the detail in the paint or wheels . The background is a little busy for my taste , but the contingent in the car was lost when I try out some defocus techniques . There just was n’t enough elbow room in the surface area around this auto for me to get the photograph with my 75 - 300 at f:4 , so I had to take this with my 17 - 50 at f:16 which allowed the backdrop to stay more in direction than I would have preferred .

The one big mistake I made was with the CPL filter , it brought out the pattern in the window tint , and my photoshop skills are just not sound enough to get rid of it without destroying the picture . I really wish I could go back and take the filter off !
-Ethan Fermanis
These pic fall from one of my most recent pic shoots with this gorgeous Matte Black wrapped Mustang . The gondola was originally the blue you see in the personal identification number stripes but the wrap was put on around it and the blueness was prevent as idiom and it flow perfectly ! Its the details that count !

Chris Petruccio Photography
http://Facebook.com/ChrisPetruccioPhotography
configurations :

ISO 100
50 millimeter
f/ 2.8

1/20 sec
Tripod mounted
-Chris Petruccio

Mirror - pinnacle , back off a car distance and zoom in , corner exterior angle ( side views always look flat ) , and WYSIWYG . No Wiley Post - production . Canon S3 IS ( for the viewfinder and swivel screenland ) set to extra - fine and 1600X1200 and reflexive . Simple . I did n’t even like twiddling the pel to provide these two shots . I fool so shoppers will see the first shot and sink in , then look at the rest of my photos , then come in drooling and not buy elsewhere . So its not artsy ; I tear to trade , which is dissimilar . And that ’s the one that pays off for veritable people like me .
-David R. Clark
The camera frame-up used for this film was a Nikon D3100 with an 18 - 55 mm NIKKOR VR lens , at ISO 100 . The F - stop was f/11 , and the picture metre was 1/40 sec .

I am a huge car enthusiast and Subaru overzealous . As a result , this fairly rare Subaru Impreza 2.5RS caught my centre . As evidenced by the dirt , this Impreza is being delight and know to the wide , as a Subaru should be . One has to enquire take care while look at it ; What all interesting places has it seen , and what interesting stories must go with that dirt ?
-Jonathan Riska
Canon T3i , F/2 4 second Exposure , ISO 100 , Manual Exposure .

Photo read of my buddy in jurisprudence 07 350z use up in Everett Washington . There was a full moon out and thought it would be cool to include it in my shot .
-Chris Nelson
Camera – Canon XSi

Lens – 50MM f/1.8 II
ISO – 100
This was taken business district Houston in the stack across from Minute Maid parking lot . alas the weather was dreaded , and I was n’t able to get really any large shots . The gondola is my own personal Challenger SRT8 in Hemi Orange with pitch-dark vinyl wrap on the goon , ceiling , and trunk .

-James Collier
I enter over the weekend in the Texas All British Car Days event in Round Rock , TX with my buddy TJ and his classic Mini . One of the events was a standard parking lot in the middle of nowhere car show . It occurred to me that your shooting challenge this week was “ Cars , ” a theme in which I am peculiarly interested , I happened to be surrounded by beautiful machines , and I had a camera in my bridge player . I ’ve never entered a challenge but have been wanting to for some time , so I figured now was a pretty unspoilt chance . After go over the blastoff that I brought home , my girlfriend and I determine on this gorgeous Rolls Royce hood ornament . She was charm with a Cannon S95 on full auto , but the frame was all me . No retouching at all , this is how it came off the add-in . Interestingly , the smuggler - up was a dig of a Jaguar E - Type caught with my iPhone4 . That stupid little camera still surprises me …
-Jeff Baysinger

I did n’t get a hazard to get out and take any photos of any interesting motorcar so I decide to attempt something a small different . I shot one of my son ’s miniature cable car with my macro denotation tubing . I ’m pleased with the upshot that the light had on the plastic automobile .
canyon EOS REBEL T1i , 1/200 , f/4.5 , 55 mm , ISO 200
-Matthew Johnson

My buddy was going to his last lead event of the year . It was n’t an actual backwash , but he was drive his 2011 Porsche Cayman S , and I tagged along to take some shots of his car , and some of the others . There were plenty of Corvettes . I counted 6 Z06s , 4 Porsche 911 GT3s , and 4 Lotus Exiges to name a few .
The one that really trip up my centre from the offset was the Porsche 904 – 1964 . It just screamed “ take my photograph ” with those smooth headlights and sharp curves . I took a few in color and a few in high direct contrast B&W. My pal had a rough day lose it into the grass on his 3rd lap of the day ( no damage to the machine – just his ego ) , but it was a lot of sport seeing these beauty tearing around the track . I got a lot more pictures from the 24-hour interval that I really relish , but this was couch so well , I had to practice it . The color of the car was a blueish gray . It was mostly a cloudy mean solar day , but the car really pop when using B&W.
There was no post - redaction of this photo . I was using a Sony a55 with a Sony 18 - 70 mm lens of the eye – ISO 400 . I took 3 shots each zoomed in turn skinny than the next – this was the closest – and in my opinion the salutary . I trust you enjoy looking as much as I did take it !
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-Doug Villella
The camera that was used was a Canon 60D , lens was a normal 18 - 135 mm f/4.5 - 5.6 . ISO was 800 and shutter speed was 1/100 .
The lot where this happened is in reality part of a presently to be decommissioned airport , right now all they have it is for training flight . Eventually this parking lot will get demolished and so will the track that s a dozen meters out . I want to get in a few more shoots while I still could and I enjoy using this ramp for anything and everyone . elevator car or bikes heck even the great unwashed , the entire building lends itself to such great shots .

-Anitesh Jaswal
I take this picture with a Canon T3I. I used my 50 mm select lens of the eye at
f/1.4 . This is an HDR photo , my first attempt actually .
My co - workers are always talking about the older cars they have
sitting around their property . I thought it would be straight to go out
and see what they have and if there was anything interesting . This
Beetle is sit by itself next to an sure-enough orbiter dish . The black
and livid with rust fungus highlights looks cool . It feel like the car was
on it ’s elbow room somewhere and just did n’t have enough to get there .
-Joshua Reed
Canon T2i 36 millimetre F/6.3 with a little hike in iPhoto .
So I go to Calero Resevoir to take a dead reckoning of my jeep in an open space . I found a good speckle , park and started frivol away . Not two minutes pass when the Park Ranger pull up properly beside me necessitate if everything ’s ok . I told him what I was doing … and then sheepishly said that study a photo of HIS auto would be amazing . I thought he would just send me off on my jovial agency , but instead he asked me if I ’d prefer the car with the Light on or off :)) Ha ha … here ’s one of the guesswork .
-Georgina Lawrence
I know that part of what establish a good shot is an interesting setting that fits the type of auto . After cruising through industrial areas near West Seattle I establish this locating . I took about 200 shots with my car in various spot in relation to the gear , flag , cranes , and city in the background . What you see is the best picture of the caboodle with no C. W. Post production .
television camera : iPhone 5
Aperature:2.53
F Number : f/2.4
ISO:50
Shutter : 1/861
-Peter Monroe
I used my Canon 7D and 17 - 40L crystalline lens at 100ISO to photograph my personal 2008 Acura TL Type - S.
I seldom make for with born light since I turn fulltime indoors until it gets dark . For the challenge I need to try something new . The desktop was shot at 1/160th and f/9 but the gondola itself is really an isolated HDR image . My program with the image was to suggest effort so I left it on the road , my favourite thing to do with my TL - S after all is to repel on muckle roads . The only edits I ’ve done is make the route black instead of grey and changed the color balance to paint a picture sundown into the inflammation environment .
-Philip Tieu
One of my chum at work is really into railroad car , and by really I stand for he practically washes his car every two years . Being an amateur photographer I ’m always on the looking at out for new style to take pictures and after date this photo challenge I suggest extend out for a photoshoot and undertake something call light painting . For those unfamiliar with light painting it ’s the appendage of using a lightheaded source such as a flashlight and a longsighted exposure to “ paint ” your image . To bewitch the image we used a LED flash light source and run around the car like chicken with their heads thin out off painting the surface of the car during the duration of the shutter speed . After wait around for hoi polloi and cars to come and go and before getting yelled at by a constabulary police officer that we were illicitly parked we were able to get a this shot .
Canon 5d mkii
Canon EF 16 - 35 mm at 16 mm
f4.5
30 sec
ISO-100
-Brad Sasaki
Canon 7D Camera , 50 mm 1.8 @ 2.8 , ISO 200 , Shutter 1/1250
I film this picture while on holiday down on the South Island of New Zealand . We drove through Central Otago and blot this park up on the verge . It ’s a pretty rare muckle in NZ , and rarer still in ‘ Candy Red . ’
This is something a little different from my normal subject , so it was a nice surprisal it came out so well .
-Shannon Doyle
This week ’s competition came with double-dyed timing as the Honest Charley ’s Garage Fall Cruise - In was scheduled for Saturday Sep. 29th . I had already planned on attending camera in hired man so I count on why not play around with Black & White a bit to come up with a shooting for submission . I felt this striking ` 33 Coupe tally the bill nicely .
Canon EOS Rebel XTi
21 mm
ISO-200
f/3.5
1/1000 sec
-Geff Adams
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