How the Studio BehindStar Wars‘ New Animated Shorts Brings the Lighter Side of the Movies to Life

Galaxy of Adventures , the kid - focused line ofStar Wars animate shorts , has been trucking along turn moments from the movies into delightful pieces of animation . But for Titmouse , the studio behind the boxershorts , they represent a hazard to come in some luminosity into the most iconic consequence in the Star Wars saga .

Another short in the serial was released today , ( you may see it below ) , and to celebrate , io9 chatted with animation director Barry Kelly to learn more about the summons of how theGalaxy of Adventures seriesgets made , from decide where in the saga to pull from , how and when to tweak conversant moments , and the motivation for humor in the Galax urceolata far , far off . check out out our stark interview below , as well as some galleries of never - before - meet concept prowess and storyboards from the serial !

io9 : The reaction to Galaxy of Adventures so far has been really great . give the immensity of expectation Star Wars usual brings , what ’s it been like knowing this has been require to so quickly by fan ?

Barry J. Kelly : It ’s great to find out that ! Honestly , I ’m just trying to make what I think is good and what I would want out of hand - make Star Wars cartoon .

Through my work on Galaxy of Adventures , I ’m trying to seize the belief of important Star Wars moments I had as a kid . I was born in 1984 after the originals were in the theater of operations , so my first time go steady the movies were on the VHS tap my sidekick and babe tape from TV . I inherit my older brother Bryan ’s fandom , along with his action physical body . Then Power of the Force physique came out and I found myself playing X - Wing vs. Tie Fighter , then translate the novels and comic Holy Writ , and it go on from there . Every other medium kept Star Wars alive for me beyond the original trilogy . LucasArts games were an important part of my childhood , which showed me how you’re able to interpret storey to other mediums .

Galaxy of Adventures is an idealized version of the characters andmemorable shot . It ’s playing with the world while respect them for the inspiration that they are . I just eff what these underdrawers needed to be and knew we had the right work party at Titmouse to make them .

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io9 : When it comes to pick out the movie scenes you select for their own shorts , what ’s that process like ? Is it something that comes from Lucasfilm , or are you apply the selection of where in the saga to pull from ? What makes an ideal scene for adaptation into Galaxy of Adventures ?

Kelly : Lucasfilm provides direction on the characters they want to focus on and each short high spot an aspect of what ready that character who they are . In the process of making the adaptations , I had to give up my knowledge of Star Wars , step back , and expect at the context of these scene . As a team , we were asking ourselves : “ Why does Luke care beyond his humble beginnings ? Why does the universe fear Vader ? What makes Chewie a great co - pilot burner ? Or , what makes Leia a great leader ? ” To get those compass point across clearly , we pull from the scenes that best exhibit a particular quality of a reference .

Then we ’d cram on storyboards with Lucasfilm , acquire the melodic theme and purification until we had a really strong animatic . For instance , one short demand to be about Luke try out to employ the Force . The Wampa scene is that , in a nutshell . It ’s a powerful scene , but due to the restriction of the moving picture shoot , we rarely get to see Luke and the Wampa in the same shot . It ’s all isolated shots . In animation , we do n’t have the same limitation ; we can have them in the same dig ! We have Luke , who is well experienced with combat at this item in the films , face off against a giant snowbeast . It ’s a perfect frame-up , offering a lot of exemption to have sport .

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io9 : Likewise , what ’s the process like when approaching a poor , between leaning toward a more lineal version of a specific moment from the cinema , or adding to a scene with your own exceptional version — like , for example , blow up the actionof Luke and Vader ’s Empire Strikes Back duel ?

Kelly : The introductory premise of that short is that Luke will fend the enticement of the dark side . But there is a lot of context in that scene . Luke is unforced to face his own fear to save his champion , and Vader ’s motivations are unearthed as we near the classic reveal at the ending of that conflict . We choose to save the most of import plot and fibre “ reveals ” for the plastic film , so we focus on the thematic idea of protest the dingy side . How do we show that but ?

In this case , it ’s surviving someone as stern and hefty as Vader . This is literally my favorite tantrum in all of Star Wars — how do I not ruin it for myself as a lover ? Luke was quite the acrobat in the OG trilogy , he leaps around [ and ] flip over Vader , and we can use that . The prequels cranked Jedi combat up with a lot of energy and speed , so I felt that justifies room to explore the background of legal action because the picture did that . We could show the contrast between how Luke and Vader scrap . Vader with fast , verbatim , strong reversal against Luke ’s evasive , quick - footedness .

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I ’m lucky that some of my best friends are some of the best activity guy rope in the animation industry . They helped me make this fight as epic as it felt to me watching it as kid .

io9 : We have n’t seen much prequel content for Galaxy of Adventures so far . Are there project to do more in that area of the saga , or is the centering leaning more on the original films ? Could the shortstop exposit out to content from the continuation motion picture , or prove like Rebels , Clone Wars , and Resistance ?

Kelly : The Emperor suddenly summarized his plan to build the Empire across the prequels into the OG trilogy . The first Han Solo short has a snippet from Solo and the Stormtroopers instalment spanned locations we had seen in Rogue One , Rebels , and Clone Wars . We sure enough enjoy tackling the prequels , so continue tune !

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io9 : The prequels , as more modernistic moving picture , have a very unlike approach to natural action in comparison to the first three pic . Do you find that your approaching to conform tantrum from Episodes I - III is any unlike to how you guys approach the original trilogy ?

Kelly : The prequels really showed us how powerful the Jedi were in their prime . include Force pushing and pulling , but [ also ] leaping , running at superspeed , and the extremely fast lightsaber fighting . The seeds were institute back in Empire with Luke ’s athletic grooming with Yoda , and you’re able to see what they were going for at the meter . For our approach , we just endeavor to make the action as effective as we can with strengths of the 2D sensitive .

Once we launch how this animise Star Wars universe works , every scene was governed by a similar logic . You saw Obi - Wan fight in the prequels and then in A New Hope . In our medium , we could probably bring certain tucket of young Obi - Wan into the one-time and vice versa . From a character design viewpoint , designer Jojo Park drew the characters like I ’d never assure them . She was n’t treasured with the material and that helps add an objective degree of view to something this revered . The blueprint have a certain flexibility where we can connect a through personal credit line visually across the generational change of these fibre .

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io9 : We get to see Luke learning the ways of the Force in last week ’s myopic . Can you break out down some of the challenge you face in this short circuit ? What were the standout moments you want to highlight in vivification for this scene ?

Kelly : I bang that scene in the Falcon where we get these jibe of the crew killing time as they approach the Alderaan . To me , piddling second like those from the original film shine and feel relatable . The contrast between the characters is what really made those conniption play so well .

Luke ’s training came somewhat square — we built up some of the suspense , and put Luke through some more painful sensation . They have a long ways to travel , so Luke could have been trying to sneak that matter for hours . But one of the challenges was these moments of Force “ focus . ” We require to show Luke visually shut out the worldly concern and feel the Force around him . We kept it simple and hopefully the style effectively communicate what Luke is feeling .

Photo: Jae C. Hong

io9 : There ’s been some give-and-take around the short circuit about the level of humor they bring to the Star Wars galaxy . Can you speak a short on put in a lighter tone into the scenes you end up adapting ? Was it authoritative for the squad to specifically foreground the shady side of the film ?

Kelly : Star Wars is funny . Han ’s funny , Chewie ’s suspicious , Leia ’s funny . For younger fans , levity is important , but I do n’t care thinking this is only “ for kids . ” It ’s for everyone . In the Leia short , the context of that scene is really really funny . The very wise old man tells these guys to stay put until he gets back , and they do n’t . They go looking for the princess with scantily a design . recreate it casual until the plan falls completely aside , they shoot up a bunch of purple officers and now reinforcements are on the elbow room . Of of course , Leia is unimpressed — they just dragged her into their debacle that could get them all killed .

It ’s that kind of contrast that stimulate these scenes lovable , and that sort of contrast really root on the sport side of these shorts . One bit Han is the hero bring through the day , the next he ’s trying to talk his style out of a risky wager . I like the idea of a hopeful , shiny - eyed Luke on his first daytime off his home planet trying to rescue a princess who has way more combat experience . The Star Wars movies are funny , dramatic , scary — they’re everything . They ’re first and world-class fun , but playfulness with literal stakes . They are about growing up , learning , and face fear .

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io9 : function forward , do you guess there ’ll be way to elaborate beyond the shorts into something that ’s a bit longer formatted in the futurity ?

Kelly : I go for ! That ’s a decision above my wage grade . Ha !

you may check out what ’s appear in Galaxy of Adventures so far over on theStar Wars KidsYouTube communication channel , as well asthe official website .

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